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・ Philippe Danfrie
・ Philippe Darniche
・ Philippe Daudy
・ Philippe Dauman
・ Philippe Dautzenberg
・ Philippe Davies
・ Philippe De Backer
・ Philippe de Broca
・ Philippe de Buyster
・ Philippe de Cabassoles
・ Philippe de Carteret I
・ Philippe de Carteret II
・ Philippe De Carteret, 2nd of St Ouen
・ Philippe de Caverel
・ Philippe de Chabot
Philippe de Champaigne
・ Philippe de Chauveron
・ Philippe de Chérisey
・ Philippe de Clermont
・ Philippe de Commines
・ Philippe de Corguilleray
・ Philippe de Courcillon
・ Philippe de Crèvecœur d'Esquerdes
・ Philippe de Culant
・ Philippe de France
・ Philippe de Gaspé Beaubien
・ Philippe de Gaulle
・ Philippe de Girard
・ Philippe de l'Espinoy
・ Philippe de la Chambre


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Philippe de Champaigne : ウィキペディア英語版
Philippe de Champaigne

Philippe de Champaigne ((:ʃɑ̃paɲ); 26 May 1602 – 12 August 1674) was a Brabançon-born French Baroque era painter, a major exponent of the French school. He was a founding member of the Académie de peinture et de sculpture.
==Life and work==
Born of a poor family in Brussels (Duchy of Brabant, Southern Netherlands), during the reign of the Archduke Albert and Isabella, Champaigne was a pupil of the landscape painter Jacques Fouquières. In 1621 he moved to Paris, where he worked with Nicolas Poussin on the decoration of the Palais du Luxembourg under the direction of Nicolas Duchesne, whose daughter he married. According to Houbraken, Duchesne was angry at Champaigne for becoming more popular than he was at court, and this is why Champaigne returned to Brussels to live with his brother.
It was only after he received news of Duchesne's death that he returned to marry his daughter.〔(Philips de Champanje biography ) in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by Arnold Houbraken, courtesy of the Digital library for Dutch literature〕 After the death of his ''protector'' Duchesne, Champaigne worked for the Queen Mother, Marie de Medicis, for whom he participated in the decoration of the Luxembourg Palace. He made several paintings for the Notre Dame Cathedral in Paris, dating from 1638. He also drew several cartoons for tapestries. He was made first painter of the Queen with a pension of 1200 pounds. He also decorated the Carmelite Church of Faubourg Saint-Jacques, one of the favorite churches of the Queen Mother.
This site was destroyed during the French Revolution, but there are several paintings now preserved in museums, that were part of the original design (''The Presentation in the Temple'' is in Dijon, the ''Resurrection of Lazarus'' is in Grenoble and the ''Assumption of the Virgin'' is in the Louvre.
He also worked for Cardinal Richelieu, for whom he decorated the Palais Cardinal, the dome of the Sorbonne and other buildings. Champaigne was the only artist who was allowed to paint Richelieu enrobed as a cardinal, which he did eleven times. He was a founding member of the Académie de peinture et de sculpture in 1648.
Later in his life (from 1640 onwards), he came under the influence of Jansenism. After his paralysed daughter was allegedly miraculously cured at the nunnery of Port-Royal, he painted the celebrated but atypical picture ''Ex-Voto de 1662'', now in the Louvre, which represents the artist's daughter with Mother-Superior Agnès Arnauld.

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